Plautilla Nelli Painter and businesswoman, her work was "admired by the artists"

Plautilla Nelli Painter and businesswoman, her work was "admired by the artists"

Plautilla Nelli's "Lamentation over the Dead Christ", located in the Museum of San Marco, stands as a testament to her remarkable contributions as an artist in 16th-century Florence

Born Polissena Margherita Nelli in 1523, she entered the Santa Caterina convent at 14, becoming a self-taught painter. Hailed by Giorgio Vasari as the "first Florentine female painter," she interpreted Savonarola's artistic principles and embraced the new model of female sanctity from the Council of Trent.

Plautilla transformed her convent into a thriving artistic workshop, creating a unique space for female artists. Despite limited studies, she excelled in portraying the human form through the study of Fra Bartolomeo's drawings. Plautilla's art, grounded in spirituality and empathy, challenged societal norms, showcasing women in prominent roles. She left a maternal signature on her works, emphasizing her commitment to artistic motherhood, and her iconic expression "Orate pro Pictora" (Pray for the Painter) reflected her dedication to being remembered.

Her painting "Last Supper", nearly 7 meters long, underwent restoration through the "TheFirstLast" campaign, supported by donations from 19 countries. Conducted by an all-female team and promoted by AWA (Advancing Women Artists), the restoration aimed to research, restore, and exhibit works by overlooked female artists in Tuscan museums and churches.

Plautilla's death in 1588 marked the end of an era. Despite her significant success during her lifetime, she fell into relative obscurity after her death

Our Lady of Sorrows by Plautilla Nelli, 1582 approx Our Lady of Sorrows by Plautilla Nelli, 1582 approx

In accordance with the Terms of Use, responsibility for published content rests solely with the user who created it. Perungiorno.it disclaims any liability for content submitted by users.
Report

Maybe you might be interested

Louise of Stolberg: Loves, Salons and Scandals in Eighteenth-Century Florence
Louise of Stolberg: Loves, Salons and Scandals in Eighteenth-Century Florence

At Palazzo Gianfigliazzi on Lungarno Corsini, Louise di Stolberg-Gedern, daughter of Prince Gustav Adolf of Stolberg-Gedern, resided. Born in Mons, Belgium, in 1752, Louise was raised in the Sainte-Wa...

regole e vita sociale all’interno di un harem

Evitare la "femminilizzazione" delle professioni altamente qualificate

i luoghi dove era accettabile vedere donne sole, senza amici o famiglia

Ostacoli alla sindacalizzazione femminile

Lo stupro coniugale non sussiste di fronte alla legge

Laura Solera Mantegazza - feminist and patriot, "true mother of the poor"